To
kick off a new month of jazz in the city, I happened to spend the lunchtime
catching the sounds of one of the hottest new groups in the Canadian Jazz scene
today. The group is none other than
the Morgan Childs Quartet.
Drummer
Morgan Childs represents a rare breed of young musicians who draws from the
past expressions of jazz and makes it applicable to modern times. Childs is one of the most creative,
energetic, and talented drummers to ever come out of Canada, and there is a
reason why I rank him among the best and most favourite drummers in jazz. Not only he is a great drummer, but he is
also a fine composer creating tunes that are melodic yet rhythmically engaging.
The
set opens with an arrangement of Rodgers and Hammerstein’s “Surrey With the
Fringe on Top”. With its classic stop
and go introduction, the piece goes into a rousing straight ahead swing with
effective solos by saxophonist Kelly Jefferson and pianist Dave Restivo, along
with superlative timekeeping by Jon Maharaj.
Next we are offered a taste of “2nd Line” New Orleans rhythms
through their take on Childs’ composition “Blues for Mogie”, which alternate
between New Orleans funk groove and straight ahead swing.
The
band cools downs for a lovely ballad feature on Childs’ “How Are You”, inspired
by the composition stylings of drummer Victor Lewis. It featured a wonderful and moving bass solo
by bassist Jon Maharaj.
One
of my favourite tunes of the show would be their take on Harold Arlen’s “If I
Only Had a Brain”, employing the “Poinciana Beat” made famous by Vernel
Fournier and the Ahmad Jamal Trio. It
was a spirited romp that left me wanting to still be in the fanciful Land of
Oz.
Closing
out the set are two more of Morgan Childs’ compositions, the moody Western
Light and the high octane bebop of “The Kickback”, in which its melody echoes
McCoy Tyner’s “Inception” in some places.
Watch
out for this band in the near future.
At just 31 years of age, Morgan Childs is just getting started to make a
dent in the jazz world and beyond.
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